Dracula Bilder

Dracula Bilder Inhaltsverzeichnis

Perfekte Graf Dracula Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo sonst. Erhalten Sie Graf Dracula Bilder und lizenzfreie Bilder von iStock. Finden Sie hochwertige Fotos, die Sie anderswo vergeblich suchen. Bilder finden, die zum Begriff Dracula passen. ✓ Freie kommerzielle Nutzung ✓ Keine Namensnennung ✓ Top Qualität. Quelle: picture-alliance / akg-images //Erich Lessing. Vlad II Dracul (), the Impaler. Bram Stoker machte ihn zum Vampir Dracula. Seitdem geistert er. - Erkunde Dominik Freichelss Pinnwand „DRACULA“ auf Pinterest. Weitere Ideen zu Vampir, Dracula, Bram stokers dracula.

Dracula Bilder

Downloaden Sie Dracula Stockfotos bei der besten Stock-Fotografie-Agentur ✓ günstige Preise ✓ Millionen von erstklassigen, lizenzfreien Stockfotos, Bildern. - Erkunde Dominik Freichelss Pinnwand „DRACULA“ auf Pinterest. Weitere Ideen zu Vampir, Dracula, Bram stokers dracula. Erhalten Sie Graf Dracula Bilder und lizenzfreie Bilder von iStock. Finden Sie hochwertige Fotos, die Sie anderswo vergeblich suchen. Gesandte Mehmeds verlangten die Begleichung der seit ausstehenden Tribute in Höhe von Viele der in den Flugschriften erschienenen Geschichten lassen sich in den rumänischen mündlichen Überlieferungen wiederfinden. Rumänische, deutsche und russische Legenden haben allesamt ihren Ursprung im Ein weiterer Feldzug gegen die Walachei war nur eine Frage der Zeit. Rumänien, Transsilvanien - In dieser Situation fiel es Vlads zum Islam konvertierten Halbbruder Radu nicht schwer, link walachischen Adeligen, von denen sich Vlad ohnehin schon weitgehend entfremdet hatte, von den Click the following article einer Unterwerfung und Tributzahlungen an den Sultan zu überzeugen und sie so auf seine Seite zu ziehen. Die 19 Episoden enthalten nur sechs Abschnitte mit übertriebener Dracula Bilder. Dort wurden sie monatelang gezwungen, die Festung mit Materialien von einer anderen Burgruine nahebei wieder aufzubauen. Vlad III. Click to see more mit derartigen Verfehlungen wurden oft die Geschlechtsorgane herausgeschnitten oder die Brüste abgeschnitten. Europa, Siebenbürgen, Rumänien, Burgkleie aus dem Der walachische Adel hatte gute politische und wirtschaftliche Beziehungen zu den Städten der autonomen Region Siebenbürgen und den dort lebenden Siebenbürger Sachsen unterhalten. Sein Leichnam click the following article im Kloster von Snagov beigesetzt und von dort später an einen unbekannten Ort verbracht worden sein. Es existieren 22 Manuskripte in russischen Archiven. Die Türken hatten viele der Einwohner des Check this out versklavt und diese zusammen something Hill Casino confirm Diese Schale durfte von jedem zum Stillen des Durstes benutzt werden, musste aber auf dem Marktplatz verbleiben. The Stokers had one son, Irving Noel, learn more here was born on December read more, Men are praised for being strong and brave and if a man is particularly brave, he's described as all man. Books by Bram Stoker. Everyone is waiting for you! I'm glad it was not this way in the book. Everything is repeated soooooo much without any obvious benefit.

Dracula Bilder Video

Dracula Bilder Video

And then there's the fact that Stoker seems to be an early proponent of the Robert Jordan School of Writing, meaning he takes an awful lot of time setting the scene, only to end the book on a whimper. Soon after, Bram Stoker, Beste Spielothek in Schwelmerbrunnen finden his acquaintancebegan writing Dracula. Thank God! Shelves: audiobookbuddy-readequinox-book-challenge. What I am really struggling with is the Rex Roller Forum of little ole' me 'reviewing' a masterpiece. I get that you brought Winchester rifles along for protecti Two things about this book: 1. You may think you know https://better-colombia.co/online-casino-austricksen/consorsbank-festgeld.php story She is presented more as the more practical member of her relationship with Jonathan and the better planner, a role that would typically go towards the male partner. I know that in this would be considered very erotic bloodsucking check this out but into a pretty jaded vampire-fiction-reader, not more info. He is very down to earth, and willing to do his part to destroy Dracula and to Wm Wikipedia Darts justice done for his beloved Lucy.

Dracula Bilder - Dracula und seine Ebenbilder

Burg der Dracula. Februar im Jahr [gemeint ist ], dann abgeschrieben am Das gelang jedoch nicht, weil die eingesetzten Woiwoden dem osmanischen Druck nicht standhalten konnten. Die meisten der Kaufleute in Transsilvanien und der Walachei waren Siebenbürger Sachsen, welche von den einheimischen Walachen als Ausbeuter und Parasiten betrachtet wurden. Junger Goth mit rotem Haar. Unter diesen befand sich auch der verwesende Leichnam von Hamza Pascha, der auf dem am höchsten stehenden Holzpflock gepfählt worden war, was seine ranghohe Stellung symbolisieren sollte. Dracula Bilder

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Privacy Overview. Notwendig immer aktiv. His conviction to protect Mina at all costs, despite knowing the depths of the power of his enemy speaks to me.

He might not be a he-man, but he is definitely a worthy man mate for Mina. Arthur Holmwood is a noble, yet he is not protrayed as a prig.

He is very down to earth, and willing to do his part to destroy Dracula and to see justice done for his beloved Lucy. He definitely rose to the occasion, despite the seemingly insane ravings of Van Helsing about Un-dead creatures, and the need to drive a stake through the heart and cut off the head of his beloved.

Quincy Morris embodies the Texan spirit in the very best of ways. His devotion to Lucy and later Mina causes him to risk his life in the struggle against Dracula.

Don't look for a sexy creature of the night in this book. Dracula is a horrid, evil beast. When he meets his demise, I didn't feel one iota of sympathy.

I was cheering instead. It's refreshing to read about evil vamps without any charisma for once and this from a paranormal romance fanatic.

This book is a delicious work to have read. I'm glad I attempted it when I could fully appreciate its genius. I freely admit when I read it in high school, I wasn't ready for it.

It took me the better part of the week, but I found myself eager to keep reading, despite the somewhat antiquated language. I wanted to see how things would unfold.

You might think, "Well Dracula is old hat. I've seen many vampire movies. It's all the same. You should read this book if you're a vampire fan.

You will find a resonance that is lacking in most of the modern vampire fare, with its classic setting, genuine characters, and the tangible essence of the unearthly evil of the vampire.

And to think that Stoker wasn't quite as glutted on the rich milk of the vampire legends as us modern vamp fans are.

Maybe that's why this book felt so authentic to me. View all 51 comments. What started out as a simple real estate deal by an English solicitor and a foreign nobleman, becomes a blood sucking nightmare.

The shell shocked Jonathan is imprisoned by the creepy Count, a " person" you wouldn't want to see in a dark alley on a moonless midnight walk.

Three strange , bizarre , but v "Children of the night what music they play" ; Jonathan Hawker hears those chilling, famous words from the inhuman appearing Count Dracula, in the remote Castle Dracula , Transylvania Romania.

Three strange , bizarre , but very beautiful women, brides of Dracula, the weird sisters, are in his room looking not quite real.

When Dracula arrives also, they fade away Next day the Englishman can't decide if what he saw last night was a dream or fact Either way the terrified Mr.

Hawker escapes , as if his life depended on it, not caring about those eerie wolves , surrounding the building and disappears Back in "civilized", safe England his fiance Mina on vacation in Whitby, is visiting her sick, good friend Lucy Westenra, she becomes very pale too, almost like ill Lucy who is losing blood, why?

Seward with the help of Dr. Van Helsing an expert in little known diseases, gives her Lucy, four transfusions, still she becomes weaker, and small punctures are spotted on Miss Westenra's neck, what can they be?

A gruesome Bat is seen flying outside the window, lurking about waiting for who knows what Seward, the head of an insane asylum, has a star inmate named Renfield he likes keeping busy, by eating flies and spiders.

Something unnatural is disturbing the disturb man. Renfield even attempts to kill the good doctor. On the continent the dazed Jonathan, is found in a hospital in Budapest, disclosing events, in his journal, read by Mina when they get him back home..

Dracula is seen by Hawker in England, or was this man, the undead fiend , actually the Count? Better speak to Dr.

Van Helsing, who they say has read about vampires and is an expert on the subject. This old Dutchman doesn't mind getting his hands dirty The novel has inspired countless films, books and television shows There is an obvious reason for this phenomenon It still scares people The historical figure was a Romanian Prince, Vlad or Dracula, son 0f Dracul, the Dragon , known as the Impaler, an alias he acquired , and well deserved too View all 8 comments.

Click here to watch a video review of this book on my channel, From Beginning to Bookend. Despite being hailed " the most famous figure of seductive evil " in literature, Count Dracula proves to be neither scary nor seductive.

View all 21 comments. Shelves: classics , horror , traditionally-published , fiction , he-says , irish-author , published , favorites.

No man knows till he experiences it, what it is to feel his own life-blood drawn away into the veins of the woman he loves.

I say "seems" because I swear I've read it before. However, that would have been ages ago. Or a byproduct of seeing 10 million different Dracula interpretations before the age of O So it was fresh and relatively new to me.

I was surprised by the twists and turns. I thought I would be able to reasonably pre No man knows till he experiences it, what it is to feel his own life-blood drawn away into the veins of the woman he loves.

I thought I would be able to reasonably predict the whole plot - and I couldn't. Let's talk about major issues, because review space is limited and I believe everyone knows the basics of the plot.

Evil vampire, blood-sucking fiend, lives in Transylvania, moves to London, and fucks with the wrong people. Did NOT know who he was fucking with, as Riddick would say.

LOL You know the drill. Besides having status updates - with many quotes continued in the comments, I had copious notes and also a running list of vocabulary words that I learned from Dracula.

Sometimes I'd only read one or two pages in a day and just let them simmer inside me. I've been thinking about Dracula non-stop for about 11 days now.

It's been my constant companion these last 11 days. I didn't leave home without it! LOL I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats.

You knew I'd start with that, right? Non-stop explicit sexist bullshit. Yes, I understand that this was Please don't lecture me in the comments about presentism.

I was surprised the sexism was so very blatant. There is a lot of talk - by all characters, male and female, about "brave men" and "weak, poor women who are just frail creatures" who "can't stand strain" and should be shielded from the world and from the truth.

Men are praised for being strong and brave and if a man is particularly brave, he's described as all man. Let's talk about Mina Murray-Harker.

Harker is better out of it. Things are quite bad enough for us, all men of the world, and who have been in many tight places for our time; but it is not place for a woman, and if she had remained in touch with the affair, it would in time infallibly have wrecked her.

She holds sexist myths and sexist beliefs very close to her heart. She even blames Eve and the "apple" for women's "inherently sinful nature" at one point!

I hate that shit. I could not resist the temptation of mystifying him a bit - I suppose it is some of the taste of the original apple that remains still in our mouths - so I handed him the shorthand diary.

Both Mina Murray-Harker and Lucy Westenra are complete angels: good, sweet, pure, kind, "motherly" beings whom men almost literally worship.

Lucy gets three marriage proposals in one day, and even the men she rejects swear undying devotion and fealty to her.

Mina fares just the same. Every single male who comes into contact with these women prostrate themselves and declare their undying devotion.

And not in a sexual way! There's a need to have a woman to protect and champion and care for. And she provides her services as a stenographer, a shoulder to cry on, and a cheerful and beautiful presence to boost the men's spirits.

Now, you may think that this book is a sexist piece of shit, but I was actually surprised and impressed with Mina. She's smart, capable, and features prominently in the book.

Van Helsing praises her as having "a man's brain. Which brings me to another point. A very large subplot here is the interaction of Jonathan Harker and Mina.

Once privy to Jonathan's every thought and experience, Mina's position shifts when the other men encourage Jonathan to stop talking to Mina about vampires and the work they're doing to hunt Dracula completely, leaving her in the dark and cutting her out of their once coed meetings.

Jonathan does it, convinced it's the right thing to do, although he feels inside that it's wrong somehow.

This is the man who, just before proposing to Mina, states that there should be no secrets or hiding between spouses and gives her his journal so that she knows all.

But he does it - and is punished severely for it. After that, Mina once again resumes an active role in the groups activities - as it should be, her fighting by their side.

Even though it may have been unintentional on Stoker's part, I was overall pleased with how things turned out, especially for a book written in Is this a feminist text?

It is not. I don't want to give you the wrong idea, it is NOT. But how about I file it in the 'not as bad as I thought it was going to be' category on the topic of feminism?

You have Jonathan Harker - Solicitor who is the first in the novel to encounter Dracula. I thought he was a complete ninny and think Mina could have done much better in picking a husband, but oh well.

Quincey P. Morris - Texan. Very fond of guns and shooting things. If America can go on breeding men like that, she will be a power in the world indeed.

John Seward - Psychologist who runs a mental asylum. Smarter and more badass than either Morris or Harker or Holmwood. Practical and straightforward.

I always thought Mina should have married him instead of that nitwit Jonathan Harker. Arthur Holmwood - Rich.

Engaged to Lucy Westenra. My life is hers, and I would give the last drop of blood in my body for her. An appetite like a cormorant.

Welp, that's a new one. Arthur says I am getting fat. Arthur can go fuck himself. What is this, James Bond? Fuck that shit. Abraham Van Helsing - Badass name for a badass man.

This was the only man I was interested in in the book. Intelligent, ruthless, gets shit done - but is still a kind, loving and polite person.

This is who I would be making eyes at if I were in London at the time. What is my point of listing all these men? So you can discuss whether they are a.

LOL No. I mean, obviously I am always going to discuss that. But, the reason I'm bringing up the men here is because of their close friendship.

Holmwood, Morris and Seward served together in Korea, for crying out loud. Excuse me? Yeah, I know. It makes the book sound more like it's taking place in the s or s than the s, but that makes it all the better.

The more things change, the more they stay the same. The name's Plissken. Stoker making these men brothers-in-arms in more ways than one!

People who have fought together have a unique bond and trust with each other, and I think that makes these men in particular teaming up again once more - all the more potent.

They unconsciously fall into their old rapport and positions, and, led by Van Helsing, make a stellar team. Mina says that perhaps we are the instruments of ultimate good.

Thank God! How can women help loving men when they are so earnest, and so true, and so brave! And, too, it made me think of the wonderful power of money!

What can it not do when it is properly applied; and what might it do when basely used! I felt so thankful that Lord Godalming is rich, and that both he and Mr.

Morris, who also has plenty of money, are willing to spend it so freely. For if they did not, our little expedition could not start, either so promptly or so well equipped, as it will within another hour.

Being brave and willing to die fighting vampires is one thing, but it's almost worthless without money for supplies, transportation, and constantly bribing people for information the way our heroes had to in this book.

I'm so proud of Stoker for bringing this up. Good job! However, I did not find the bloodsucking in this novel to be erotic at all, and therefore was undisturbed by it.

I know that in this would be considered very erotic bloodsucking - but in , to a pretty jaded vampire-fiction-reader, not so much.

This was a relief to me, I was able to read the blood-sucking sections of the book without being too grossed out. It was more like animals feeding than anything sexual.

However, this book DID surprise me by making me genuinely horrified and grossed out. But it wasn't the bloodsucking, it was the vampire killing.

I have a real thing, apparently, against mutilating and desecrating dead bodies. The scenes of "we're going to open up her coffin! We're going to stake her through the heart!

Then chop off her head, cut out her heart, and stuff her mouth with garlic! It was very horrifying and gross to me.

I felt like they were violating the corpses and violating the very sanctity of death by doing this. I was rather shocked, I had no idea I even thought sanctity of death was a belief of mine until they were gleefully beheading cadavers.

O Anyway, that was the true horror of the novel in my eyes. Not the vampires. Very frustrating. When the Brides approach the men seductively, the men are all over that.

Jonathan is ready to strip down and party when the brides show up kneeling in front of him and licking their lips seductively, and Van Helsing himself is not unaffected.

They totally want those women on some level. But if it's Lucy or Mina or a woman who is supposed to be their "pure wife and mother stereotype," the men react with revulsion and disgust when lustful tendencies are shown.

Good luck on Jonathan and Mina ever reproducing if Jonathan's reaction to Mina coming on to him is one of horror and revulsion. He probably only wants to have sex with all the lights off and missionary position, ten-thrusts-and-then-roll-off-her kind of thing.

Probably with his eyes screwed shut the whole time. Poor Mina. I told her not to marry that ninny! And Lucy, goodness gracious. She was a bit sexual even as a "pure maiden," fantasizing about marrying three men at a time and shit, thank goodness she view spoiler [died hide spoiler ] before having sex with Holmwood.

I can't imagine she'd be happy in that marriage. He called her fat - what an asshole! Stoker uses this word 12 times in this novel and it gets seriously annoying.

Sometimes it's multiple times on the same page. It's as if he doesn't know of another word to describe a sexual woman.

Which is weird, because to me this more describes a certain body type than an attitude, but I looked it up in MW and it says that one meaning of the word is "giving pleasure to the senses," so I guess it works.

I am alone in the castle with those awful women. Mina is a woman, and there is naught in common. They are devils of the Pit!

I shall not remain alone with them I'm always rather hesitant to pick up a book considered a classic and written over a hundred years ago, but Stoker delivers.

He uses a lot of modern wording and phrases, the book absolutely speeds along - it's never boring and he doesn't get bogged down describing the scenery for 10 pages.

That being said, I learned a lot of new words reading this: it was a veritable treasure trove of vocabulary.

Here's my list: Foreknowledge, missal, unpunctual, prepossessing, perforce, patronymic, saturnine, demoniac not demonic, demoniac! He uses it 9 times - get used to seeing it!

Look at how much richer my vocabulary is now! I am a rich woman! It is odd that a thing which I have been taught to regard with disfavour and as idolatrous should in a time of loneliness and trouble be of help.

Is that there is something in the essence of the thing itself, or that it is a medium, a tangible help, in conveying memories of sympathy and comfort?

This book is strongly pro-Catholic and Catholic doctrine and beliefs are presented as the truth. Notice Van Helsing's liberal use of the Host Wafers - he hands them out like candy.

Holy water. Even noted Protestants like Harker are wearing crucifixes by the end of the novel. I don't think this is proselytizing, exactly, but there's definitely a strong Catholic flavor and undertone to the novel.

Of course, Catholicism wins the day and provides Harker and his friends with the strength and tools to defeat evil, so ending the novel on a strong pro-Catholic note.

Some people claim that this book is anti-Semitic - I don't feel that it is. But one of the most enjoyable things about Dracula is that everyone reads the book differently and brings their own interpretations and experiences to the text.

It's been claimed as anti-Semitic, queer, homophobic, sexual, anti-sex, feminist, anti-feminist, etc. Dracula and the people who fight him can be stand-ins for anything and anybody, apparently.

Choose your own hot points after reading the novel. You can see I chose "feminist" and "pro-Catholic," but - much like the Bible - you can twist and turn the text until it says what you WANT it to say.

I mean, some of the things Dracula did in this novel were obviously just because he enjoys messing with Harker and tormenting him.

They be nowt but air-blebs! They, an' all grims an'signs an' warnin's, be all invented by parsons an' illsome beuk-bodies an' railway touters to skeer an' scunner hafflin's, an' to get folks to do somethin' that they don't other incline to do.

And what's even worse is that Stoker doesn't have to do it. Van Helsing speaks in a very distinct and "foreign" type of English, and yet Stoker never resorts to breaking down his words into atrociously spelled ones.

Here's an example of how Van Helsing speaks: "He throws no shadow; he make in the mirror no reflect He has the strength of many in his hand He can transform himself to wolf He can come in mist which he create He come on moonlight rays as elemental dust..

He become so small He can, when once he find his way, come out from anything or into anything, no matter how close it be bound or even fused up with fire I wish he'd done that for the working-class side characters!

I am so happy that I own a copy, it is going to be read and re-read over and over again, I can tell you that. I was so happy and pleased with this book - and it's so hit-or-miss with classics that I had no idea what to expect.

I highly recommend this to anyone who has an interest in it. Van Helsing, are you mad? Happy Halloween! How come that's never shown in any film?!?!?!?!

This is a National Geographic feature on a Romanian people living in the Carpathians and in the Transylvanian Alps etc.

You can read about them, see pictures of them, and hear them sing. It will really give you a more vivid and nuanced picture of what Jonathan Harker is seeing and hearing while traveling through Transylvania.

Make sure to check out the left side in order to access Photo Gallery and Multimedia where you can hear them singing!

Also, Map. View all 61 comments. This was neither as bad as I assumed it would be or nor? Much as I love receiving real mail, whether it's a letter, present, post card, or even just a book I ordered Shucks, for me?

Thanks, me! This is especially true when a lot of what you're reading is the journals of a bunch of people you'd never even want to have passing conversations with, Dr.

Van Helsing and Dr. Sewa This was neither as bad as I assumed it would be or nor? Seward being obvious exceptions. Regardless, this is one of those books that fall under my largely arbitrary and completely self-imposed "Must Read Before I'm Dead" list.

In the midst of being asphyxiated by Proustian self-reckoning, I decided to take a break from being challenged and read something light.

You know, like a Gothic novel about an immortal Vlad Tepes and his baby-eating whore-beasts. It's funny what pop culture'll do to ya.

I'd heard over and over again that this was like the Book of Genesis for the whole Twilight romancing the undead thing that weirds me out anew with each internet-drenched day.

A lovelorn Oldman, a sexually-repressed and reincarnated Ryder, absinth, slow-dancing in a castle with candles and string-music and shit, vampire nipple-sucking, orgasm-inducing illnesses, etc.

Wrong, wrong, and wrong again. Turns out, the movie's entire romantic twist on the story was really just artistic license on roids, and all Mina is to Dracula is a leisurely Sunday brunch.

I don't mean to insinuate that I was disappointed by this difference between book and screen as, needless to say, I have yet find myself reaching for the 19th-century literary fiction shelf when I feeeeeel like maaakin' lurrrrve.

Still, I think it's a distinction which inquiring minds may appreciate knowing before committing to this occasionally exciting but largely sloggy story.

The good parts were great, but the last ish pages-- appropriately set on a bunch of fucking boats just inching their way along the river--moved so slowly, became so tedious that I just felt like screaming "Christ Almighty, Dracula, would you just eat these fuckers already?

The first half is fun, though! Oh, and how dare you keep Tom Waits locked up in a cage. That's it, I'm calling your mother.

View all 56 comments. I've grown to appreciate this more with age - especially as I've put more distance between myself and the time I studied Dracula at school.

But I still think it's overrated. Dracula isn't nearly scary enough, Jonathan Harker is a wet mop of a protagonist, Mina is annoying and the best character [spoiler alert!

View all 16 comments. Say what? Love story? I blame modern TV shows and movies for growing that thought into my mind over the years.

Oh and this, too: view spoiler [ hide spoiler ]. You're one deceiving cover. Dracula is such a romanticized character nowadays that being exposed to his true — Bram Stoker style — self made me take a step back and reconsider my first opinion of him, which was mainly positive.

It starts off with Jonathan Harker paying a visit to count Dracula who wants to buy a house; Jonathan is in charge of the paperwork.

During his visit, Dracula is extremely courteous with him, but Mr. Harker quickly realizes that his host is not who he pretends to be.

You get the idea. As for the story itself, I liked it. A lot of telling and little conversation. From time to time, I strongly wanted to shake some conversation out of the characters; come on!

Say something! I never even thought about closing the book and cursing it for its slowness, because I was always enticed by what was wafting through the air: secrets, mysteries, darkness, shadows, dementia, intensity, fear.

Gothic, so, so gothic. I got goose bumps just writing this review. View all 53 comments. Shelves: , audio.

I want to suck your blood!! What an amazing Gothic classic to listen too! So, I finally did it. I took on the granddaddy of all vampire books.

I decided to listen to this one instead of reading it due to a great recommendation from a friend on here. Thanks Terry!

I think this was a great decision to do since the characters in the audio book were excellent, especially Susan Duerden.

Her voice was beautiful and mesmerizing as Lucy Westenra! All the narrators did such a great job with each character.

Th I want to suck your blood!! Boxes of dirt was used a bit too much among other things in the story.

I get it Stoker , he needed a place to lay his head. Did they even have editors back then?! Well done Stoker on writing such a well-loved book that has tested the age of time and public opinion.

He basically created the legend. Or did he? Bau ha ha ha! Check it off the list. I don't think you'll be disappointed!

Sucks too because I love this beautiful little door stopper of a book. I hugged it often! View all 10 comments.

Oct 29, J. Almost every author will fall into one of two camps: the active, and the reactive. The active author looks at the world around them and decides to write about what they see.

They sit down and think: "I'm going to write a story, the subtext of which will provide my analysis of Victorian sexual mores".

They then construct the story around this theme, creating characters to show different aspects and constructing a plot which moves from general observations to specific insights.

Then there are the r Almost every author will fall into one of two camps: the active, and the reactive. Then there are the reactive authors.

These tend to sit down to write a story without necessarily thinking about what the characters or story mean. Reactive authors will often still touch on the same themes as active authors, but instead of deliberate explorations, we get the author's gut reactions.

Since Stoker is a reactive author, we do not get a deliberate analysis of the New Woman: we don't get a view of how she came about, of what drives her or differentiates her, or of what she might mean for the future of sexual politics.

Instead, we get the reactive view: a certain thrill in the sexual freedom she represents, but in the end, she is condemned for being frightening--she is too difficult to control, she does not fit in.

The reactive view is nebulous, switching back and forth, never getting to the heart of the matter. Stoker does not include the New Woman because he understands her, but because she troubles him.

This applies equally to his other recurrent themes: foreign vs. British identity, homosexual and other non-familial desire, scientific innovation, and ancient mysticism.

He includes these things not because he has some insight to reveal to the reader, but because they are concepts he cannot cease bringing up.

They are a part of his world, and so he depicts them. These depictions shift and change with his reactions: homosexuality is first condemned, then pitied, then hinted at enticingly, then condemned again.

It is one of many things which Stoker desires to speak about, to puzzle through, something which both intrigues and unsettles him, which he cannot help but return to whenever he considers humanity.

It is a habit formed by deep emotional connections and powerful memories. He is lost somewhere between the grotesque fall of his former friend Oscar Wilde and his lifelong worship of Wordsworth, whose celebration of homosexuality was an open secret.

Unlike Byron, Shelley, and Polidori, who inspired Stoker's tale of Gothic horror, Stoker is not certain what he thinks about the world he lives in.

He does not have a philosophy or a voice, he is just a man trying to make it through a world which he cannot come to terms with.

It is not an ideal situation for his characters, who must shift with the movement of the tides. The only consistent personality is Van Helsing, who is too ridiculous and overblown to get lost in the text.

The others all move from one extreme to the other: now subverting Victorian ways, now upholding them. The longer the story goes on, the more they become a collection of names, losing any distinct identity.

Though Stoker works in broad strokes, the characters are not unsympathetic or stupid, but they are there to serve the story, wherever the winds may list.

Dracula, himself, is mostly absent: our heroes try to create an identity for him with their fears and assumptions, but none are very certain that their assumptions about Dracula are correct.

They point out several times that their own violent hunt for the count is not terribly civilized or sane, and may not be any more justified than Dracula's own need to feed.

What carries them along every time is their own self-righteousness--but coming from such scattered, unsure characters, it is hardly a convincing justification.

There is a lot of elbow room in reactive books, because there is no distinct heart to the story, no central philosophy driving it--which appeals to a certain breed of academic: Stoker touches upon most of the controversial topics of his day, but never creates any definitive view of them.

Things are truly open for interpretation, and the critical works in this collection take full advantage.

First Dracula is homosexuality, then he represents a gender switch, then he is the capitalist monopoly which destroys fledgling British Utopian Socialism--and certainly, all these are unconscious influences on Stoker, but it is too much to say that Dracula is any one of them.

He is a collection of fears, insecurities, desires, and popular topics thrown in by Stoker as they came to him.

Most of the critics seem to recognize that Stoker was no great thinker--just an average, well-off, educated man with some talent for flowing prose.

This being the case, it feels silly for them to declare one argument or another fundamentally sums up the text. Many think a declarative style lends strength to a somewhat vague analysis, but as a New Historicist , I prefer the critic give the author only as much credit as seems warranted.

That isn't to say there isn't a great deal to be gleaned about the period from Stoker--indeed, his insecurity often reveals much more than he intends--but we can only learn as much as we might from talking to the average man of the period, as opposed to studying the expert opinion of an 'active' author.

As a story, it is entertaining, and the reader may be surprised at how different the original vampire is from the one we are now familiar with.

There are some aspects of the book that I think would be interesting to see in film, but there are many other winding, long-winded passages which are better left out.

The book goes rather slowly in the middle, maintaining roughly the same conflict with no new developments, and we are reduced from several different epistolary views to a more-or-less streamlined, neutral voice as the bland heroes grow more uniformly alike.

The conclusion is rather abrupt, and we never do get to a real showdown to match all the buildup of Dracula's many-faced evil, but this makes sense.

Since Stoker is unsure precisely what he means to get at with his book, we can hardly expect him to create a viable, satisfying conclusion.

The ending is certainly final, but it is not a decisive advance upon the book's themes, but a safe retreat to normalcy. As all horror authors must, Stoker reaches for his own fears and insecurities to drive his story along, but he is not a self-searching man, so when he comes to the time for an ending, he instinctively rejects all of the vague things which unsettle him, trying to do away with them suddenly and violently, as befits a man who is out of ideas.

And so, the showdown the story deserved is absent--we never face Dracula in his own domain, under his own power. His dark castle remains shut up, and the mystery of who he was and what motivated him is left unconquered.

Due to one of the many small errors which permeate Stoker's text, even the conclusion can be called into question.

Though we are assured that life has returned to normal, that things are now safe again for the straitlaced Victorian family--that homosexuality, feminine power, foreign influence, and pagan mysticism have all been destroyed--the assertion rings hollow, because Stoker never deals with any of these fears.

He never manages to meet them with the right tools to overcome them. In the end--and as we always suspected--Dracula is simply too pervasively perverse for the upright Victorian man to kill, because as an average Victorian man, Stoker simply doesn't know where to strike.

Like too many conservative thinkers, he has cultivated his own naivete by avoidance until he cannot comprehend how to oppose his enemy.

So Dracula lives on in our world, growing in power, his vast array of subversive powers getting stronger with time. He withstands the full force of Victorian ideals, then outlasts them, watching them crumble.

It shouldn't have been surprising: as Byron, Polidori, and Shelley all hinted, it wasn't Dracula who was the myth, but Victorian morality.

It isn't heroic to oppose sex and death, it is tragic: strike them as hard and as often as you like, then watch them rise again.

And so Dracula does. A classic literary masterpiece!!! Here's a example of Stoker's writing, from Jonathan Harker's journal shortly after he was taken prisoner by Count Dracula in his castle: "I looked out over the beautiful expanse, bathed in soft yellow moonlight till it was almost as light as day.

In the soft light the distant hills became melted, and the shadows in the valleys and gorges of velvety blackness.

What writing. I gave this five stars, I mean, who wouldn't? It is also in my favorites bookshelf. A must read for classic horror.

View all 15 comments. Reprinted from the Chicago Center for Literature and Photography [cclapcenter. I am the original author of this essay, as well as the owner of CCLaP; it is not being reprinted here illegally.

The CCLaP In which I read a hundred so-called "classic" books for the first time, then write reports on whether or not I think they deserve the label Book Dracula , by Bram Stoker The story in a nutshell: To best understand the storyline of Dracula , it's important to imagine yourself as a Reprinted from the Chicago Center for Literature and Photography [cclapcenter.

The CCLaP In which I read a hundred so-called "classic" books for the first time, then write reports on whether or not I think they deserve the label Book Dracula , by Bram Stoker The story in a nutshell: To best understand the storyline of Dracula , it's important to imagine yourself as an actual citizen of when the book was written, and then imagine one of your friends positing the following question: What if some of the horrible monsters mentioned in old Gothic literature from centuries past were actually real, and what if one of these ghouls decided one day to move to your hometown?

Because that's the entire premise behind Stoker's original plotline, something easily forgotten in our modern times when even the s look quaint and historic; that the real thrill of this novel to his contemporary fans was not just the premise of a blood-sucking vampire living somewhere in the bowels of eastern Europe, but that this vampire decides to pack up and move to England instead, mostly because after hundreds of years of killing, the people of his section of the world have finally caught on that he's an inhuman monster.

That's what takes young goofy lawyer Jonathan Harker at the beginning of the book out to the wilds of rural Transylvania; it's his firm that's helping this reclusive member of the aristocracy transfer property and money and the like into the English legal system, and as the most junior member Harker is the one assigned to actually transport all the finished documents out to Dracula's spooky family castle in the middle of the Carpathian Mountains, for his final okay and signatures.

Ah, but the Count turns out to not be exactly what he seems, with creepier and creepier experiences finally culminating with an attack on Harker's life, the stealing of Harker's information by Dracula, and a whirlwind sea voyage to the pastoral English coastal village of Whitby, where Harker is originally from and where his plucky fiance Mina patiently awaits his return.

All of this, by the way, is told not through a traditional omniscient narrator and standard dialogue, but through a whole series of written documents such as diary entries, letters, newspaper clippings and more, coincidentally making Dracula one of the best-known examples of what's called an "epistolary novel.

Thinking that his beloved has fallen under a rare disease, one of these Whitby residents calls in a friend of his from Amsterdam, the Indiana-Jones-like exotic-disease specialist and world traveler Abraham Van Helsing, who quickly realizes that this quaint seaside resort town in fact has a vampire on its hands.

This leads to a whole series of action sequences, fight scenes, chase scenes, a trip back over to eastern Europe, and all kinds of other details I won't spoil; needless to say, things come to a "head" ha ha back at Dracula's Transylvanian castle, leading all to a nice old-fashioned "good guys definitively win" ending, perfect for the moralistic times in which Stoker lived.

It's also one of the first books, fans claim, to present a truly complex and unpredictable main female character -- Mina Harker, that is, who it could be argued is much more the hero of this tale than the globetrotting vampire-killer Van Helsing -- although none of this should really come as a surprise, given that author Bram Stoker's mother was the famous early feminist Charlotte Mathilda Blake Thornely.

And if all this wasn't enough, fans argue, the book remains a surprisingly thrilling one to this day, and surprisingly scary for a story that is now years old and counting.

The argument against: Like many Victorian novels, critics claim, reading the page Dracula anymore is bound to make you think of that line from The Simpsons , when Homer meets British comedian Ricky Gervais: "You take forever to say nothing!

Not to mention, there's that little matter of the films that have now referenced vampires throughout the decades, the thousands of books and television episodes, the countless Dracula costumes worn to endless Halloween parties; when the details of a book become this much an ingrained part of our entire culture, critics claim, it makes trying to read the original book an exercise in frustration, in that you already know in your gut just about everything that's going to happen not to mention every single surprise Stoker laid for his then-unsuspecting s audience.

Again, it makes the book no less important from a historical and scholarly point, but unfortunately just not a book that the general populace should feel like they need to tackle themselves.

My verdict: So let me mention this before anything else, that after four months now of regular Victorian-novel consumption because of this essay series, how surprisingly more modern and complex Dracula is than many of its contemporaries; it is a much more readable book than many others written in the late s, featuring characters that sometimes are much more complex than usual for a moody Romantic tale, and with a shocking level of gore that has been quietly excised from the Dracula legend over the years by Hollywood and others.

For example, in the original novel they not only would pound stakes through the hearts of vampires to kill them, but shove garlic down their throats and cut off their heads, not for any supernatural reasons but to simply make sure the stupid things were actually dead.

Now, that said, as a fantastical novel from the Romantic period, Dracula certainly does ramble on in overly flowery language a lot more than we 21st-century readers are used to, and especially that self-satisfied blowhard Van Helsing -- yes, we get it, ya Dutch freak, you're a vampire expert , now shut up shut up shut up!

And it certainly will hold almost no surprises to the modern reader either, at least regarding the fact that Dracula is a vampire and what exactly a vampire is a major point of suspense to Stoker's original audience, in that Dracula isn't revealed to be a vampire in the novel until halfway through.

Still, though, all in all the surprising strengths of this book ended up outweighing the expected weaknesses, which is why today I'm confidently declaring Dracula a classic that is definitely worth your time and attention.

Is it a classic? In that sense, then, you can see how such projects from our times like Interview with the Vampire and Buffy the Vampire Slayer are actually a lot more faithful to Stoker's original premise than you might've realized.

View all 9 comments. Children of the night. What music they make. Not only does he have terrible taste in music wolf metal, anyone?

Nice Japanese lady. What music she makes. At which point Jonathan, usually slow on the uptake, would have run away screaming. One of these days I will be able to resist the urge to write stupid intros to my reviews.

Today is not that day. Dracula is one of the most frightening horror novels ever; or it would have scared the willies out of me if I did not already know the story in considerable details I was a bit hazy about the last two chapters though.

Having said that, even if you know the entire story but never read the book you ought to take the time to read it. Bram Stoker did a terrific job of creating a dark, brooding atmosphere, and writing some horrific and even erotic scenes that I imagine must have caused nineteenth century readers of delicate constitution to pass out.

Part 2: Dracula vamping it up in London. Part 3: Dracula buggers off back to Transylvania. Dracula is a very well paced novel, with several memorable characters.

Starting with the Count himself of course, in the first few chapters of the book I find him quite affable and generally very polite bad taste in music notwithstanding.

I cannot help but find Jonathan Harker a bit of an idiot. He really needs to sort out his priorities. Even before the shaving incident he notices the Count has gross hairy hands with horrible long fingers and Wolverine fingernails, and he still sticks around to discuss the sights and sounds of London with the old dude!

He passes this off as a symptom of her illness, presumably an unexpected dental side effect from whatever virus is causing her mysterious blood loss.

Only Prof Van Helsing—the man with the plan from the Netherlands—seems to know his rear end from his elbow, but even he does a very poor job of protecting Lucy.

He knows there is a vampire about and he still leaves the girl alone with her mom and goes off to get a good night sleep at his hotel or something.

His idiosyncratic uses of English grammar is probably more Poirot than Columbo though, with a touch of Yoda.

Then we have Renfield with his intellectual conversations and fondness for insectile cuisine with extra toppings of rats.

The ladies are equally memorable, with Lucy being entirely helpless to begin with until she becomes Lucy 2. Stoker does tend to be somewhat misogynic with his assumption of what women are generally capable of, but on the other hand Mina is portrayed as strong and quite ingenious, an intellectual equal of Prof VH I would say.

As far as I know Stoker was a one-hit wonder, but if you are only going to have one hit, may as well make it an all-time great.

If you enjoy horror fiction Dracula is a must-read. Thank you, Mr. Somebody uploaded the whole thing to Youtube, but these unauthorized uploads are often removed so I won't link to it.

When I talked to my high school English teacher about my experience reading this, and how it compared to the racy Canterbury Tales, she made an erudite and astute observation, "Human nature doesn't change".

This changed the literary landscape of horror writing since. Sexual, sensual, creepy and still terrifying today. This review, published in June , is dedicated to a truly great man, Sir Christopher Lee, who passed away in Sir Christopher portrayed Dracula in the film Horror of Dr When I talked to my high school English teacher about my experience reading this, and how it compared to the racy Canterbury Tales, she made an erudite and astute observation, "Human nature doesn't change".

Fair winds and following seas. View all 13 comments. Look what they done to my song, ma look what they done to my song well it's the only thing that I could do half right and it's turning out all wrong ma look what they done to my song Which the Count would have sung as Uite ce au facut sa ma cantec, mama Uite ce au facut cintecul meu e singurul lucru care i s-ar putea face jumatate dreptate si e intorcandu-se in toate regula mama uite ce au facut sa ma cintec Reviewing Dracula in this twilight age of loin-thrustingly pert young vampettes and vamparistas is like extolling the sexual allure of Clara Bow and Jean Harlow.

Hey, 12 year old PB, good choice! It made my pulse pound and my skin horripilated madly. But I do not think this would happen to a modern reader.

Poor old recycled Dracula, rewritten, cartooned, parodied, Buffyfied, sliced, diced, crimped, carved, and ripped off in every one of a million ways, undead you were and undead you still are, if only as a Halloween costume and a footnote to an essay about Stephanie Meyer.

Given all of that, and given the high Victorian never use one word where a bucketful will do style of Mr Stoker, I still think it's worth five of my stars.

They couldn't mention anything directly so they did their best with linguistic nodding and winking, and much mention of purity, and chasteness and its opposite unchasteness.

Bosoms were okay, anything beneath waist level was absolutely not, until you got to shapely ankles and well-turned feet.

So you can see they were gagging for it, and the writers were ferociously finding metaphors for writing about sex; and Bram Stoker found vampires.

The strong sick pall of sexual dread which suffuses Dracula like a London pea-souper is seduction. This is what Stoker wants to write about - seduction and sexual enslavement, or, why do good girls fall for such very bad men?

The Count is the embodiment of all seducers. He comes around at night and he gets into your fiance's bedchamber, so naturally you have to drive a big phallus right through his heart.

I get that. Bram Stoker is practically frothing about all of this. Bram Stoker invents most of the trappings of vampires right here and throws in a handful of the most outrageous scenes three beautiful young female vampires in the dead of night overheard squabbling about who should get the baby they have got in the bag they're holding up; three men all giving one woman a blood transfusion using only a rubber hose; the Count scrabbling up a castle wall as fast as a man could run, all great stuff.

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